Em oi! #427: Media Is Misfortune


I cut this up into panels for easier viewing. Click here to view the original.
A few notes and sources:

  1. Chomsky didn’t develop this theory (properly called the “propaganda model”) alone–he co-wrote the book with Edward Herman. Wikipedia suggests that the theory was more Herman’s than Chomsky’s, but everyone seems to call it Chomsky’s theory. Here is a video that explains it in more depth than one panel of a comic can do. As a (former, I guess) southeast Asianist, I have mixed feelings about Chomsky…he seems to be generally accepted on this point, but he was so, so wrong about a number of things (specifically, the Khmer Rouge)…
  2. Here is the main interview with Zizek that I referenced. I do enjoy the contrast between the well-dressed BBC host and the Ziz, who always looks like he has been awake for about 43 hours and hasn’t done laundry in a week.
  3. Foucault’s stuff about the power structure and revolution was touched on in this earlier comic.
  4. Fitzgerald has a weird face. Sorry, dude. Of all the real people I’ve tried to draw, he is the weirdest. And this is including J-P “Walleye” Sartre.
  5. Chomsky and Foucault didn’t get along either.

Chomsky was, (possibly) surprisingly, on the side of Hillary Clinton during the last election, while Zizek wanted people to vote for Trump–not because he supported Trump; in fact, he views DT as immoral and terrible, in many ways a total disaster. But he believed that by electing DT, the left would see some galvanization and would begin to reconstruct itself, not just to offer opposition but to offer a viable alternative that did not include neoliberalism/late-stage international capitalism/what have you. Interestingly, I think he was right to some extent. I knew a few people involved in local activism while Obama was in office, but I now know many, many more people who are calling their senators and congresspeople regularly, going to rallies, and actively supporting various campaigns to change the country for the better.

As I’m writing this, however, DT has pulled the US out of the Paris Climate Accord.* What this will actually mean for the world in the long run is difficult to say at this juncture, since it was a largely symbolic voluntary agreement that many (well, Honduras Nicaragua [ed: damn it]) claimed didn’t go far enough. But I do think that without the governmental impetus, the solution to global warming will wind up coming from the business community–that capitalism will eventually have to save us. If the idiotic old men in power can’t see the writing on the wall, the entrepreneurs can, and in this country money speaks a lot louder than treaty obligations. Which is ironic, because I think that the revolution Zizek had in mind was not essentially the renaissance of cultural capitalism in the role of savior, but (of course) socialism (“the good old welfare state,” as he would put it). To paraphrase Oscar Wilde (or, really Ziz quoting Wilde in the video linked just there), it feels like a bad idea to use private industry to lead the mitigation of the environmental disaster caused by private industry, because their motives will always be profit-driven rather than altruistic, and that means that people not living in the first world are going to wind up getting screwed somehow. On the other hand, as someone who is worried about the environment, I guess I’ll take what I can get at this point?

Circling back to the Ziz’s point about the president as the motive for revolution: the problem is that Trump is a good enemy but ultimately inept. The left doesn’t really have to do anything–they (we) just have to stand there and he’ll turn his administration into a dumpster fire. It’s been less than six months and there’s already been talk of impeachment on the floor of the House by Republicans. Thus, while the base is fired up, the democrats in congress don’t seem to be doing much in the way of providing alternative leadership or pivoting to embrace the more liberal Sanders wing or the multicultural Obama wing–they don’t have to.

And this is where the lack of objectivity I mentioned begins to bother me–rather than seeing any individual action the administration takes as the flailing of an inept and failing regime, the leftermost voices seem to spend an inordinate amount of time on interpreting how this is going to lead to fascism/autocracy/A Handmaid’s Tale/insert your particular fear here. I suppose this is the reverse of Obama, or perhaps more accurately the flip side of it. I discussed a few posts back seeing voters in 2008–especially African American voters, since I was in a heavily African American area of Philly–reconstructing Obama in their own image so that he could serve as a vehicle onto which they could project their ideas/hopes/dreams. Now on the other side, we have the left projecting its fears onto DT–perhaps because of a lack of transparency on his part that keeps him feeling like a remote and unknowable figure, or perhaps because this is how people always deal with their leaders–just as we must imagine that we live in a community filled with others who are basically the same as we are in order to become a nation, we must imagine the same thing about the leader who we will likely never meet in person–that he or she is a specific type of person that either is like us (for those leaders we like) or totally foreign to us (for those we hate).

To provide a possible counter-point to my own point here, I’ll add that while I was sketching out this comic, I found this video on Jacques Lacan,** about whom I know very little (he is widely admired by many of the continental philosophers I mention here, especially Zizek, but not widely discussed in the [undergraduate] philosophy curriculum, possibly because he’s largely still seen as a psychologist? Or because undergrad philosophy is kinda naff in a lot of ways). Anyway, the video quotes Lacan as saying, “What you aspire to as revolutionaries is a new master. And you will get one.” Lacan meant that what people want, from the time of infancy, is basically an “ideal parent,” someone who can make everything okay, and we carry this desire into who we vote for. Whereas it is better, following Sartre’s idea of radical freedom, to accept that no leader is going to be able to do these things, and instead to embrace the fact that if we want something to happen, the best way is to make it happen ourselves. Go out and break glass ceilings, clean up the environment, make art–do what you need to in order to be awesome every day.

We’ll file this under P95.82 U6 L86 2017, for Philology. Linguistics–Communication. Mass media–Special aspects–Political aspects. Policy–By region or country, A-Z. This allows it to sit next to the original being referenced, Manufacturing Consent: The Political Economy of Mass Media, at least at my alma mater.

Footnotes:
* When I say “pulled out,” it’s not clear how Bloomberg / the individual states and cities saying they’re still going ahead with the Paris Accord requirements plays into this argument. Bloomberg is of course a total centerist neoliberal (and so on and so on).

**  Yes, I watch stuff like that for fun.

Em oi! #410: Ça suffit

em_410

Click to embiggen. I had already written this script before the attack on Paris last Friday, so I decided to just go with it.

I actually have been reading Being and Nothingness[1], and contrary to my expectations (and it’s reputation, I guess), it’s not a depressing book. At least in the part I’ve read so far, Sartre is mostly concerned with setting out his view of ontology, refuting most of the philosophers who preceded him (everyone from Descartes to Kant, anyway). I’ve done this drawing illustrating the history of philosophy to show you what I mean:
history of philosophy

I hope that clarifies things.

What I really love is the feeling that all the stuff I was dragged through as an undergrad–Descartes, Locke, Berkeley, Spinoza, Kant, probably a few others I’m leaving out–seems to be summarized quite elegantly here and then rejected in favor of a philosophy that seems to better describe my intuitions about how my mind/reality work than, you know, Berkeley or anything. I am surprised courses on existentialism were not offered at my university. Or perhaps they were and I didn’t take any–in those days, my focus was more on epistemology (somewhat) and logic, so I read Frege, Russell, and Wittgenstein, among others. The Tractatus Logico-Philosophicus remains one of my favorite books I read during this period.[2] And of course, this was the time during which I discovered Foucault, but I came to him (and Derrida) through the English department rather than the philosophy department.

Here are a few other appearances of these philosophers:

  • Descartes
  • Derrida
  • All other philosophers (inclusive)
  • Bonus other comic with Camus:

    em_76

    We can file this comic under B2430.S34L86 2015, for Philosophy (General)–Modern (1450/1600-)–By region or country–France–By period–20th century–Individual philosophers, A-Z–Sartre, Jean-Paul, 1905-1980–Biography, autobiography, criticism, etc.–General works.

    In other announcements, if you’re out and about, please consider buying a copy of The Joy of Fishes at A Room of One’s Own (not signed, but we can arrange it) or Mystery to Me (pre-signed). They have been very nice to take a few copies on consignment, so perhaps we can help them move them–you’d be helping not just an indie author, but a local indie bookstore as well. Huzzah.


    [1] It’s not really a dreadmill book, so I’ve been reading Neal Stephenson’s Baroque Cycle on the elliptical. I’m currently on book three. Each book is about 800 pages, and unfortunately they often seem to take about the first 100 to 150 to really get rolling. But if you’ve ever been interested in the enlightenment, it’s worth it. I don’t actually think he’s mis-characterizing enlightenment ideals or anything, for the most part. Maybe I’ll talk more about that when I do a review (in a million years when I actually finish it).

    [1] I also did a lot of ancient philosophers, especially Plato. Modern philosophers included Philippa Foot, Robert Nozick, and Peter Singer.

Em oi! #382: Make Good Choices

No bare bodkins here, sorry.

We went and saw the new Hamlet out at American Player’s Theatre in honor of my cousin Keith graduating from his PhD program. It was a pretty good show–the fellow playing Hamlet reminded me of David Tennant’s Hamlet, to some extent, and the guy playing Polonius reminded me of Bill Murry’s turn at that role. Jim DeVita, who played Claudius, was quite good, and I was reminded of the first Hamlet I saw there, with Mr. DeVita in the title role then. Rosencrantz and Guildenstern were good and not portrayed as idiots, for once, which was very refreshing.

There were some more interesting things about the casting this time–for example, Horatio, Fortinbras, and a few other parts were played by African American actors; I don’t recall seeing that previously. It does kind of raise some other questions about race in casting (like: Couldn’t you cast a Black Hamlet?). But it’s a step, right?

The costumes were sort of surprisingly loud–the ball gowns and capes were made from some shiny material, maybe taffeta, and there wasn’t any wind, so as the actors went sweeping across the stage, we could hear the silken, sad, uncertain rustling. (And it didn’t thrill me.) But I do like a period dress Hamlet. I’ve been trying to put a finger on why modern-dress Shakespeare kind of bugs me, and I think it has something to do with the fact that when the actors are in modern dress, we have to pretend that the plays themselves are modern. What do I mean? Well, of course the plots are incredibly dynamic and, with a few exceptions, speak to us as much today as they did four hundred years ago. But not every sentiment in them is exactly an upstanding modern sentiment. For example: “Frailty, thy name is woman.” “Then weigh what loss your honour may sustain,/If with too credent ear you list his songs,/Or lose your heart, or your chaste treasure open/To his unmaster’d importunity.” Or how about Ophelia, speaking of the play, “Tis brief, my lord.” Hamlet: “As woman’s love.”

I could keep going, but I think I’ve made my point. I should add that I would rather see a modern dress anything than another “Hamlet wears tights and a dress tunic because that’s kind of like the way people dressed in the 1600s right?”

Interestingly, while I was drawing this comic, two people (neither of whom were aware of my researching J.P. Sartre) sent me the following joke:

Jean-Paul Sartre is sitting at a French cafe, revising his draft of Being and Nothingness. He says to the waitress, “I’d like a cup of coffee, please, with no cream.” The waitress replies, “I’m sorry, Monsieur, but we’re out of cream. How about with no milk?”

Why is this funny? Because Sartre focused on the idea of choice. His thing about “authenticity” was that everyone should live the life that they want, so long as they do not negatively affect/exploit others, replacing ego with a “spontaneous selfness” he refers to as “ipsity.” As part of being in the world, we are free; choices represent a problem because they limit our freedom. But in order to really make a choice, you can’t just follow the path of least resistance–you need to actually make a choice. Since there’s no cream, he can’t really choose not to have cream, since he couldn’t choose the opposite (to have cream). (Quote from The Stanford Encyclopedia of Philosophy. Wikipedia also has a nice summary.) Anyway, Hamlet’s choice to either get revenge or spare his father is problematic in Sartre’s terms.

This one is filed under PR2807.A8 L86 2013 for English literature–English renaissance (1500-1640)–The drama–Individual authors–Shakespeare, William–Separate works–Hamlet–Criticism.

The process of choosing titles is a bit troublesome. I almost went with “Authenticity” (after a Harvey Danger song) but only my brother S. would have gotten it, since he and I are the only remaining Harvey Danger fans. As it is, perhaps he will appreciate this one.

Anyway, changing topics, here is the first comic I ever drew with Shakespeare in it:

Men in Dresses is my Queen cover band.

This one I’ll file under PN56.H83 L86 2013 for Literature (General)–Theory. Philosophy. Esthetics–Relation to and treatment of special elements, problems, and subjects–Other special–Topics A-Z–Humor.

Also you should know that the Library of Congress has reserved the heading BF1311.S5 for Parapsychology–Spiritualism. Communication with discarnate spirits–Mediumship. Psychometry. Channeling–Spirit messages, inspirational records, etc.–Special, A-Z–Shakespeare, William. So. You know. That.